A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve.
Having listened to the new G-Dragon album several times, it’s probably my least favorite project of his. I expected this to be the case, as long-awaited albums coming late in an artist’s career have a spotty track record. Apart from the excellent Home Sweet Home, the album’s songs are solid but often a bit aimless when it comes to structure. The retro — almost psychedelic — IBELONGIIU is the album’s most interesting moment in its unexpected nods to the music of Prince, but the song that comes next will likely be the biggest crowd pleaser.
Take Me retraces the funk pop roots of G-Dragon’s 2009 debut album, feeling almost like a spiritual successor to tracks like Breathe. His vocals sound most polished here, largely free from the grit that has taken over his tone over the past few years. This makes me wonder if the track had been recorded years ago and only released now. There are some lovely melodies buoying this song, especially as we cruise into the pre-chorus. Rhythm guitar adds a fun disco touch, perfectly complimenting GD’s unique color. The song only suffers from its relative flatness. Despite a blazing guitar solo from dance legend Nile Rodgers, Take Me misses the opportunity to build toward a knockout finale. It’s a light touch needing just a bit more personality, but it’s the Übermensch b-side I’m most excited to hear when it comes up on the playlist.
Hooks
8
Production
9
Longevity
9
Bias
8
RATING
8.5